LIN-AMENT. LIN FIRST HARVARD GRAD TO PLAY FOR NY KNICKS SINCE 1953-54
February 16, 2012
Jeremy Lin is only the 3d player from Harvard to play in the NBA.
He was a terrific player not only at Harvard, but in the Ivies. He established a line of records unmatched in Ivy League history, and along the way, the Harvard basketball team, which had never amounted to a bucket of warm spit until Lin and Coach Amaker arrived, found its way to the Ivy League title and the NCAA tournament.
My sons and I watched these guys, led by Lin, play a ferocious contest in the Palestra against their arch-rivals Penn in 2010, which was a double overtime contest, and as Harvard finally won, largely due to the intensity and refusal to lose of Lin, who kept penetrating, dishing off, shooting jumpers, and doing whatever it took to win, it seemed like a passing of the guard.

The Daily Pennsylvanian made pun of Lin's name back in 2009 at Penn, showing once again Philly was three years ahead of NYC media.
So it’s no secret why Lin is the 2d best player on the knicks in win shares per 48 minutes at .187 after Tyson Chandler’s .248; or why his PER approaching 25 leads the team. Lin plays defense, doesn’t turnover the ball, and is efficient both on offense and defense. Also, he hustles. In the Ivy League, he led across a large number of categories, including points, steals, rebounds, assists, assist to turnover ration, etc. and established benchmarks for a guard across many such categories–in fact, all time records for a guard to have such all-around abilities.
What we saw, watching him two years ago, was a guy who refused to lose. He could penetrate and score; penetrate and dish out to the three line; penetrate and dish to the man beside him after drawing the double-team; penetrate and dish to the open man; had amazing peripheral vision; could drop the three or the jumper if left unattended; always could run the ball and locate the open man on the run; could play defense; could steal the ball; could rebound and start the break the other way; in short, he was a complete player.
And Lin never stopped to breath. He was always in continuous motion. Harvard had a lot of talented players, but they looked kind of confused unless Lin got them the ball and he was coordinating the offense. He was, in short, a terrific and talented point guard who had game.
A lot of Penn players have played in the NBA, but not so much Harvard. Hockey has always been the winter sport at Harvard, along with playing the stock market and inventing new financial instruments the SEC can’t regulate.
Three players including Lin played in the NBA:
http://www.basketball-reference.com/friv/colleges.cgi?college=harvard#stats::none
first was
Saul Mariaschin
http://www.basketball-reference.com/players/m/mariasa01.html
who was a 5 foot 11 inch player on the 1947-48 Boston Celtics. The Celtics were in a predecessor league to the NBA, but who cares?
Here were Saul Mariaschin’s teammates on the Boston Celtics of 1947-48:
http://www.basketball-reference.com/teams/BOS/1948.html
Here’s another of his teammates from that legendary Celts team:
CHUCK CONNORS. Yes, the guy who later played the RIFLEMAN on TV. Lucas McCain himself. And a 6’5″ grad of Seton Hall, which in 1947-48 would have made him a giant player. And he was a CELTIC. You can look it up.
http://www.basketball-reference.com/players/c/connoch01.html
http://en.wikipedia.org/wiki/Chuck_Connors
Chuck Connors also played baseball for the Brooklyn Dodgers!
And he was a TV Star!
The second player that went to Harvard and played in the NBA was
Ed Smith
Edward Bernard Smith (Ed)
Ed Smith was a New York Knick in 1953-54. On that Knicks team, Ed played with Vince “Moose” Boryla, Nate “Sweetwater” Clifton, Al McGuire and Dick McGuire, and the famous Ernie Vandeweghe, and others well-noted.
That 1953-54 Knicks team finished 1st in the Eastern Division, going 44-28 under the helm of the legendary Joe Lapchick. And they played in the old Madison Square Garden, which many hold in as high esteem as the old Boston Garden.
and here’s ernie vandewege v bob cousy:
Of course, Ernie has some bloodlines. Kiki Vanderweghe was a great NBA player, and now his granddaughter is a professional tennis player:
The Christian East
August 4, 2009
The Pope recently took a tour of the Middle East. He might have stopped at Jerusalem and some other holy cities as well. He made a number of speeches about Christians and Muslims and Jews getting along, and then got on his way.
This was all dutifully covered by the news organizations.
Forgotten by all but scholars and bookworms, is the fact that for the most part, Christians in the Middle East and Near East are anything but Catholics. The Assyrian Church or Church of the Near East, which up through the 15th Century used to command millions of followers, continues to have followers in Iran and Iraq; the Coptic Orthodox Church is the dominant Christian Church in Egypt, and its followers are the original Eqyptians, the ones who built the pyramids (the muslim Egyptians are Arabs and Mamluks; Coptic is a version of spoken hieratic ancient Egyptian); the Lebanese are pretty evenly split between the Orthodox (eastern church) and the Maronites (western church); the Armenian Orthodox continue to exist in small but significant numbers in Iran as well as the newly formed Armenian Republic; and in the rest of the near East, notwithstanding the wholesale expulsions of Armenian and Greek Orthodox by the Ottomans in 1923, Orthodox Christians far outnumber Catholics everywhere in the Middle East and Near East.
This is why when scholars and bookworms speak of the East, they speak of the “Christian East.”
Secondly, the catholic presence in the Middle East was first introduced by the several Crusades, beginning in 1096 and thereafter, and after their expiration with the last failed crusade at Varna in 1396 and the fall of Constantinople in 1453, the Jesuits continued missionary activities throughout the Middle East, largely on behalf of the French, mainly to convert Orthodox subjects of the Sublime Porte to Catholicism, since it was forbidden to convert Muslims to Orthodoxy.
During the Crusades and thereafter, the Catholic Church set up a series of parallel bishoprics and patriarchates which essentially duplicate the hiearachical structure of the Eastern Orthodox prelates and Eastern Orthodox Byzantine Empire’s Church as it then stood in 1096 A.D.; if there was a greek patriarch in Antioch, they replaced him with a latin patriarch, if there was a greek patriarch in Jerusalem, they replaced him with a latin patriarch, if there was a greek patriarch in Edessa, they replaced him with a latin patriarch, and so forth ad nauseam.
Consequently, even though the Crusades are long gone (and the Eastern Roman/Byzantine Empire as well) the dual Eastern Church/Catholic titles (and dual office holders) in the middle east still co-exist, confusingly so. There are still catholic and greek bishops and patriarchs of many middle eastern cities, and they often have fights and squabbles for control of sacred places and relics, most notably over the Church of the Holy Sepulchre in Jerusalem, which was commended to the care of the Eastern Orthodox Church by St. Constantine and his mother St. Helena in the 4th Century A.D., which is built over the tomb of our Lord and Savior Jesus Christ.
That these petty fights and squabbles are often mediated by the Arabs (or Jews) who actually own the land in question demonstrates the practical reality that in the Middle East, everyone must really get along; it’s not a hollow truism merely echoed by the Pope as one more speech, but an actual, living fact of living as an oppressed Christian minority in a Muslim land.
To really appreciate the value of being Christian, or simply the value of freedom of religion which we enjoy here in America, one should live as an oppressed Christian minority for a year in a land which is overwhelmingly muslim or otherwise non-christian for a year or two.
It will shed great light on our great freedom of worship here.
art k philly/south jersey
home of the world champion phillies
Most of you probably know this already, but one of the main theorists of semiotics and deconstruction, the French theorist Baudrillard, and his famous 1985 (published in the 1990s in english) work SIMULACRA AND SIMULATION is a key reference point for both the movie and the shooting script of both the film THE MATRIX, and many of the underlying ideas of THE MATRIX.
I’ll just reprint what the wikipedia has to say, but just note that many of Baudrillard’s ideas are not too different from Susan Sontag’s ideas–Sontag thinks that the proliferation of images and signs in modern culture obscure reality, while Baudrillard feels that they obliterate it. THE MATRIX of course presents a science fiction allegory in which reality is a computer generated fiction present only in our minds, which is somewhat different than what Baudrillard is saying, leading to paths of noumenalism and idealism and radical Rorty-ism, but it is worth noting that in the very first scene of the MATRIX, when Neo is holding a book that is hollowed out, and pulling out some disks to give to the folks knocking on his door in the middle of the night, that book is in fact, a copy of Baudrillard’s SIMULACRA AND SIMULATION. One small step for neo, one giant step for semiotics.
I note here specifically that I am anti-marxist and anti-communist, and pro-capitalist, and dissassociate myself from those aspects of the deconstructionist critique which are plainly recycled and rehashed marxism. The failures of that system and that philosophy are too numerous to mention here, except to say that the Gulag Archipelago documented hundreds of millions of deaths in the Soviet system, including 500,000 priests who died in 1937-39 for the crime of being priests. Nonetheless, this is an interesting way of looking at the world, so here goes.
so here’s the wiki entry;
Simulacra and Simulation
Cover of English translation
Author Jean Baudrillard
Original title Simulacres et Simulation
Translator Sheila Glaser
Country France
Language French
Subject(s) Philosophy
Genre(s) Non-fiction
Publisher
Galilée (Editions) (French) & University of Michigan Press (English)
Publication date 2 April 1985
Published in
English February, 1996
Media type print (paperback)
Pages 164 pp
ISBN
ISBN 2718602104 (French) & ISBN 0472065211 (English)
Simulacra and Simulation (Simulacres et Simulation in French) is a philosophical treatise by Jean Baudrillard that discusses the interaction between reality, symbols and society.
Contents
• 1 Overview
• 2 Criticism
• 3 The Matrix
• 4 Footnotes
[edit] Overview
“ The simulacrum is never that which conceals the truth–it is the truth which conceals that there is none. The simulacrum is true.[1]
”
Simulacra and Simulation is most known for its discussion of images, signs, and how they relate to the present day. Baudrillard claims that modern society has replaced all reality and meaning with symbols and signs, and that the human experience is of a simulation of reality rather than reality itself. The simulacra that Baudrillard refers to are signs of culture and media that create the perceived reality; Baudrillard believed that society has become so reliant on simulacra that it has lost contact with the real world on which the simulacra are based.
Simulacra and Simulation identifies three types of simulacra and identifies each with a historical period:
1. First order, associated with the pre-modern period, where the image is clearly an artificial placemarker for the real item.
2. Second order, associated with the industrial Revolution, where distinctions between image and reality breaks down due to the proliferation of mass-produced copies. The items’ ability to imitate reality threaten to replace the original version.
3. Third order, associated with the postmodern age, where the simulacrum precedes the original and the distinction between reality and representation break down. There is only the simulacrum.[2]
Baudrillard theorizes the lack of distinctions between reality and simulacra originates in several phenomenon:
1. Contemporary media including television, film, print and the Internet, which are responsible for blurring the line between goods that are needed and goods for which a need is created by commercial images.
2. Exchange value, in which the value of goods is based on money rather than usefulness.
3. Multinational capitalism, which separates produced goods from the plants, minerals and other original materials and the process used to create them.
4. Urbanization, which separates humans from the natural world.
5. Language and ideology, in which language is used to obscure rather than reveal reality when used by dominant, politically powerful groups.
A specific analogy that Baudrillard uses is a fable derived from On Exactitude in Science by Jorge Luis Borges. In it, a great Empire created a map that was so detailed it was as large as the Empire itself. The actual map grew and decayed as the Empire itself conquered or lost territory. When the Empire crumbled, all that was left was the map. In Baudrillard’s rendition, it is the map that people live in, the simulation of reality, and it is reality that is crumbling away from disuse.
The transition from signs which dissimulate something to signs which dissimulate that there is nothing, marks the decisive turning point. The first implies a theology of truth and secrecy (to which the notion of ideology still belongs). The second inaugurates an age of simulacra and simulation, in which there is no longer any God to recognize his own, nor any last judgement to separate truth from false, the real from its artificial resurrection, since everything is already dead and risen in advance. [3]
Thus, Baudrillard further distinguishes three orders of simulacra associated with three historical periods: first order simulacra belong to the pre-modern era in which images were clearly copies or representations of some original; second order simulacra arise with the industrial revolution, photography and mass reproduction technologies in the nineteenth century – the image obscures (dissimulates) and threatens to displace the real; third order simulacra are part of our postmodern era; the image is said to completely precede and determine the real, such that it is no longer possible to peel away layers of representation to arrive at some original.
It is important to note that when Baudrillard refers to the “precession of simulacra” in Simulacra and Simulations, he is referring to the way simulacra have come to precede the real in the sense mentioned above, rather than to any succession of historical phases of the image. Referring to “On Exactitude in Science”, a fable written by Borges, he argued that just as for contemporary society the simulated copy had superseded the original object, so, too, the map had come to precede the geographic territory (c.f. Map–territory relation), e.g. the first Gulf War (see below): the image of war preceded real war.
Henceforth, it is the map that precedes the territory – precession of simulacra – it is the map that engenders the territory and if we were to revive the fable today, it would be the territory whose shreds are slowly rotting across the map. [4]
[edit] Criticism
With such reasoning, he characterised the present age — following Ludwig Feuerbach and Guy Debord — as one of “hyperreality” where the real object has been effaced or superseded, by the signs of its existence.
Such an assertion — the one for which he is most criticised — is typical of his “fatal strategy” of attempting to push his theories of society beyond themselves. Rather than saying, that our hysteria surrounding pedophilia is such that we no longer really understand what childhood is anymore, Baudrillard argued that “the Child no longer exists”.[5]
Similarly, rather than arguing — as did Susan Sontag in her book On Photography — that the notion of reality has been complicated by the profusion of images of it, Baudrillard asserted: “the real no longer exists”. In so saying, he characterised his philosophical challenge as no longer being the Heidiggerian/Leibnizian question of: “Why is there something, rather than nothing?”, but, instead: “Why is there nothing, rather than something?”[6]
[edit] The Matrix
The Matrix makes many connections to Simulacra and Simulation. In an early scene, the original French Simulacres et Simulation is the book in which Neo hides his illicit software. In the film, the chapter ‘On Nihilism’ is in the middle, rather than the end of the book.
Morpheus also refers to the real world outside of the Matrix as the “desert of the real”, which was directly referenced in the Slavoj Žižek work, Welcome to the Desert of the Real. In the original script, Morpheus referenced Baudrillard’s book specifically.
Keanu Reeves was asked by the directors to read the book, as well as Out of Control and Evolution Psychology, before being cast as Neo.[7]
In an interview, Baudrillard claimed that The Matrix misunderstands and distorts his work.[8]
[edit] Footnotes
1. ^ Poster, Mark; Baudrillard, Jean (1988). Selected writings. Cambridge, UK: Polity. ISBN 0-7456-0586-9.
2. ^ Hegarty, Paul (2004). Jean Baudrillard: live theory. London: Continuum. ISBN 0-8264-6283-9.
3. ^ Ibid.
4. ^ Ibid.
5. ^ In the essay “The Dark Continent of Childhood” in the essay collection Screened Out, 2002.
6. ^ In The Perfect Crime.
7. ^ Oreck J (director). (2001). The Matrix Revisited [DVD]. Warner Home Video.
8. ^ “Le Nouvel Observateur with Baudrillard”. Le Nouvel Observateur. 2004-10-15.
http://www.empyree.org/divers/Matrix-Baudrillard_english.html. Retrieved on 2007-12-07.
Retrieved from “http://en.wikipedia.org/wiki/Simulacra_and_Simulation”
Categories: Postmodernism | Publications about hyperreality | Philosophy books | Metaphysics literature
–art kyriazis, philly south jersey
home of the world champion phillies
Books Read and Planning to be Read – Summer 2004
March 3, 2009
This is from a list I sent in to the local paper back in 2004 that I found on my computer. It’s interesting.
Books Read (all Non-Fiction) (NF)
Bernstein, Leonard. Findings. 1982. Simon & Schuster, New York, NY. The Maestro writes.
Boylan, Jennifer Finney. She=s Not There: A Life in Two Genders. With an Afterword by Richard Russo. 2003. Broadway Books, New York, NY. A virtual must-read if you haven=t read it yet.
Bryant, Howard. Shutout: A Story of Race and Baseball in Boston. Introduction by Roger Kahn. 2002. Beacon Press, Boston, MA. The dark underbelly of the Red Sox is racism; a must-read.
Mazower, Mark. Inside Hitler=s Greece: The Experience of Occupation 1941-44. 1993. Yale University Press, New Haven, CT. (Especially Chapters 19 & 20, AThe SS & the Terror System@ & AGreek Jewry & the Final Solution@, valuable for their accounts of the fate of the 250,000 plus Sephardic Jewish Greeks of Thessaloniki, a six hundred year old community virtually wiped out by the Nazis, and the heroism of the Greeks, unparalleled elsewhere in Europe, to save them from the Germans; this material is difficult to find in other sources.).
Peyser, Joan. Bernstein, a Biography. 1987. Beechtree Books, New York, NY. Great read.
Books Planning to Read This Summer (all Non-Fiction) (NF)
Hadju, David. Positively 4th Street: The Lives and Times of Joan Baez, Bob Dylan, Mimi Baez Farina & Richard Farina. 2001. North Point Press, a Division of Farrar Straus & Giroux, New York, NY. Lots of Dylan books, but only this one also attempts a bio on Dick & Mimi Farina.
James, Bill & Baseball Info Solutions. The Bill James Handbook 2004; The Complete up-to-date statistics on every major league player through last season. 2003, ACTA Publications, Chicago, IL. The Ultimate Baseball stat book by the best baseball stat company in the game. Excel-lent!
Lewis, Michael. Moneyball. 2003. W.W. Norton & Co., New York, NY. The author of Liar=s Poker does baseball. How the As win spending 20% as much as the Yankees; there is a secret.
Ryding, Erik S. & Rebecca Pechefsky. Bruno Walter: A World Elsewhere. 2001. Yale University Press, New Haven, CT. Mahler=s apprentice conductor, Walter is the link between Mahler, Mitropoulos, Bernstein and the modern generation of conductors. He is essential to understand.
Schmidt, Eric von & Jim Rooney. Baby Let Me Follow You Down: The Illustrated Story of the Cambridge Folk Years; Second Edition with a New Preface. 1993. (1st ed. 1978). University of Massachusetts Press, Amherst, MA. Burn “A Mighty Wind”; this is the real thing.
–art kyriazis philly/south jersey
home of the world champion phillies















