LIN-AMENT. LIN FIRST HARVARD GRAD TO PLAY FOR NY KNICKS SINCE 1953-54
February 16, 2012
Jeremy Lin is only the 3d player from Harvard to play in the NBA.
He was a terrific player not only at Harvard, but in the Ivies. He established a line of records unmatched in Ivy League history, and along the way, the Harvard basketball team, which had never amounted to a bucket of warm spit until Lin and Coach Amaker arrived, found its way to the Ivy League title and the NCAA tournament.
My sons and I watched these guys, led by Lin, play a ferocious contest in the Palestra against their arch-rivals Penn in 2010, which was a double overtime contest, and as Harvard finally won, largely due to the intensity and refusal to lose of Lin, who kept penetrating, dishing off, shooting jumpers, and doing whatever it took to win, it seemed like a passing of the guard.

The Daily Pennsylvanian made pun of Lin's name back in 2009 at Penn, showing once again Philly was three years ahead of NYC media.
So it’s no secret why Lin is the 2d best player on the knicks in win shares per 48 minutes at .187 after Tyson Chandler’s .248; or why his PER approaching 25 leads the team. Lin plays defense, doesn’t turnover the ball, and is efficient both on offense and defense. Also, he hustles. In the Ivy League, he led across a large number of categories, including points, steals, rebounds, assists, assist to turnover ration, etc. and established benchmarks for a guard across many such categories–in fact, all time records for a guard to have such all-around abilities.
What we saw, watching him two years ago, was a guy who refused to lose. He could penetrate and score; penetrate and dish out to the three line; penetrate and dish to the man beside him after drawing the double-team; penetrate and dish to the open man; had amazing peripheral vision; could drop the three or the jumper if left unattended; always could run the ball and locate the open man on the run; could play defense; could steal the ball; could rebound and start the break the other way; in short, he was a complete player.
And Lin never stopped to breath. He was always in continuous motion. Harvard had a lot of talented players, but they looked kind of confused unless Lin got them the ball and he was coordinating the offense. He was, in short, a terrific and talented point guard who had game.
A lot of Penn players have played in the NBA, but not so much Harvard. Hockey has always been the winter sport at Harvard, along with playing the stock market and inventing new financial instruments the SEC can’t regulate.
Three players including Lin played in the NBA:
http://www.basketball-reference.com/friv/colleges.cgi?college=harvard#stats::none
first was
Saul Mariaschin
http://www.basketball-reference.com/players/m/mariasa01.html
who was a 5 foot 11 inch player on the 1947-48 Boston Celtics. The Celtics were in a predecessor league to the NBA, but who cares?
Here were Saul Mariaschin’s teammates on the Boston Celtics of 1947-48:
http://www.basketball-reference.com/teams/BOS/1948.html
Here’s another of his teammates from that legendary Celts team:
CHUCK CONNORS. Yes, the guy who later played the RIFLEMAN on TV. Lucas McCain himself. And a 6’5″ grad of Seton Hall, which in 1947-48 would have made him a giant player. And he was a CELTIC. You can look it up.
http://www.basketball-reference.com/players/c/connoch01.html
http://en.wikipedia.org/wiki/Chuck_Connors
Chuck Connors also played baseball for the Brooklyn Dodgers!
And he was a TV Star!
The second player that went to Harvard and played in the NBA was
Ed Smith
Edward Bernard Smith (Ed)
Ed Smith was a New York Knick in 1953-54. On that Knicks team, Ed played with Vince “Moose” Boryla, Nate “Sweetwater” Clifton, Al McGuire and Dick McGuire, and the famous Ernie Vandeweghe, and others well-noted.
That 1953-54 Knicks team finished 1st in the Eastern Division, going 44-28 under the helm of the legendary Joe Lapchick. And they played in the old Madison Square Garden, which many hold in as high esteem as the old Boston Garden.
and here’s ernie vandewege v bob cousy:
Of course, Ernie has some bloodlines. Kiki Vanderweghe was a great NBA player, and now his granddaughter is a professional tennis player:
The Wall Street Journal’s Will Friedland has a really nice story in Wednesday August 19, 2009 at p. D19 on the Cenntennial of legenday bop saxophonist Lester Young’s birth (1909-1959) which occurs today, August 24, 2009.
This year also marks the fiftieth anniversary of the death of Lester Young, who passed away at age 49 in 1959. Jazz Giant, Jazz Legend, Jazz Colossus, these terms don’t do him justice. In Jazz Circles, he was known only as the President, or the Prez, a moniker hooked on him by none other than the late, great Billie Holiday, aka Lady Day, Queen of Jazz.
As Friedland writes, “Young…created a new approach to the saxophone and to jazz in general. His playing was, by turns, lighter and gentler than anything that had come before it, but also capable of driving with tremendous force and energy.” Id. at p. D19.
Friedland reviews a release from Fantasy Records (now owned by Concord, I believe) called “Centennial Celebration”, which contains a good deal of Lester Young live during his later years, with emphasis on the 1950s. This is probably a must-buy if you don’t have any of this material. Even if you do have it, it’s never a waste of money to buy a Lester Young CD just to get even one track you didn’t have before. Or download the one you don’t have.
When Ken Burns did his Jazz documentary stretching over a bazillion PBS hours not so long ago, there were two figures that stood head and shoulders over everyone else—Lester Young and Billie Holiday.
Before President Obama was born, before Hawaii was even a state or was issuing official state birth certificates, we already had a black president—and his name was Lester Young—or as Billie Holiday dubbed him—the President, or the Prez for short. Everyone else in jazz was the Vice-President, or the Vice-Prez—but there was only one President, and that was Lester Young. Because Lester Young ruled the roost, he was in charge, and everyone else was second best.
Lester Young was so good, that you basically need to own every track he every played on, but if you can’t afford that, the Ken Burns jazz sampler is a great place to start. There’s several different phases to Lester Young’s career, all of them fantastic. Video of Lester Young, with Basie, with Billie Holiday and solo, are also around, and these are worth viewing as well.
First there’s the Count Basie years, from around 1935-1940, where Lester “leaps in” on countless classic tracks with the Count Basie Band. According to Friedland, Mosaic Records has recently issued a 4 CD set last year covering this period, but it’s covered on many of the compilations of either the best of Count Basie or the best of Lester Young. This stuff is just fantastic, the best big band jazz ever recorded.
Then there’s his work with Billie Holiday. Here, one just says, wow. These two were so born to work together. Billie Holliday’s best tracks are with Lester Young playing; Lester Young’s best playing is with Billie Holliday singing. This is the best jazz ever laid down on vinyl in U.S. history. It’s covered in part in the Ken Burns samplers of both Lester Young and Billie Holiday, fortunately.
There is also the final appearance of them both on CBS television in 1956 or 1957 for a special jazz show with several other jazz giants, which is caught on LP, CD as well as on video somewhere, and a good thing too, since both Young and Holliday would both be dead in just a couple of years’ time. This is a must-have session as well.
Then there is the body of Lester Young’s solo work, almost all of which is essential. I could rhapsodize about all of it, but there’s particular stuff that’s really great, such as the live in DC dates from 1956, which produced more than one CD/LP. This stuff is terrific, and very fine indeed. It’s well-represented on the “Centennial” CD reviewed by Mr. Friedwald. Lester Young’s solo 50s work doesn’t try to follow what others are doing during the 1950s—and that’s kind of what makes it great.
Lester Young is essentially a romantic at heart, and this comes across in all of his playing.
Of the great boppers, I’ve always preferred Lester Young to Charlie Parker—while I know Parker is technically great and plays fast and improvises crazily and so forth, but Lester Young is really the finer ballad player, and yet can still bop and swing as well as anyone, improvise, and also accompany his vocalist, or play in a big band. In short, there was nothing Lester Young couldn’t do with a saxophone.
One comment about Young, and it’s discussed by Friedwald as well, is Young’s terrible experiences with the United States Army during World War II, and particularly with segregation. Friedwald descrbes this as a “nightmarish year he [Young] spent in the detention barracks, in the segregated armed forces during World II, which certainly exacerbated the chronic alcoholism that contributed to his [Young’s] death at age 49. (Friedwald, WSJ, 8/19/09 at p. D9. The liner notes to LESTER SWINGS (see infra) state that “his sensitivity in these matters was certainly aggravated by his traumatic army experiences of 1944 and 1945, until it amounted almost to a form of disability. Several people who knew him at the time have remarked on this. It took only one aggressive or unfriendly present to upset his equilibrium.” “Von Hangman is here,” he would mutter, as gloom descended. On the other had, when things were goint well, he could be the life and soul of the party.
So what we know about Lester Young is that he was a supremely gifted musician; he was a sensitive and tortured soul; a sensitive and open man with his feelings and emotions; and when it came to institutional racism, he was no Jackie Robinson; he could not stand up to inhumane treatment, and nearly collapsed under its weight. That he survived at all is a testament to his inner artistic strength and will to survive to play another day, and the twelve years of artistic production we have from 1946 to 1958 are, in my view, supremely brilliant and as gifted as his pre-war output.
Lester Young, if you see him play on video, had that kind of sideways way of playing, that was wholly unique, plus the famous pork pie hat he always wore, which when he passed away in 1959, gave rise to one of the world’s greatest jazz compositions, by Charles Mingus, “Goodbye Pork-Pie Hat,” which has been covered by a zillion artists, including even an incendiary fusion version by Jeff Beck and Jan Hammer during the crazy 1970s. I’m not sure what Lester Young would have thought about fusion, but then again, Lester might have leapt right in.
Lester Young’s was a long and happy administration, and long may it rule, happy 100th birthday to Lester Young, the Prez. I hope that the Ken Burns Jazz Documentary re-runs on PBS sometime, and if it doesn’t run in its entirety, I sure hope they re-run the parts about Basie, Young and Holliday again, because those were smoking hot. It’s not that we don’t love Louis Armstrong or Duke Ellington or Charlie Parker, but Lester Young was the Prez for a reason—he had the sweetest sound, the most beautiful, and the music he made will last forever.
Happy 100th birthday to a true American legend, Lester Young, our only other officially recognized African American President.
DISCOGRAPHY – LESTER YOUNG
KEN BURNS JAZZ – THE DEFINITIVE LESTER YOUNG (VERVE 314 549 082-2) (2000) nineteen perfect tracks, compilation. Nice booklet with photos. Great place to start. A+++
THE PRESIDENT PLAYS WITH THE OSCAR PETERSON TRIO (VERVE 831 670-2) (West German Pressing, Polygram). Lester Young, tenor sax, Oscar Peterson, piano, Barney Kessel, guitar, Ray Brown, bass, JC Heard, drums. Recorded NYC November 28, 1952. 13 tracks with alternate takes, 61:49. A+
LESTER YOUNG: THE COMPLETE SAVOY RECORDINGS (SAVOY JAZZ SVY 17122 2CD Set with booklet). This outstanding two CD set collects rare material recorded for Savoy in 1944, 1949 and 1950 by Lester Young with the likes of Billy Butterfield, Hank D’Amico, Johnny Guarnieri, Dexter Hall, Billy Taylor and Cozy Cole (April 18, 1944); a session with the Earle Warren Orchestra (see, he really was the Prez!) (April 18, 1944) (too many greats to mention, but Harry Sweets Edison, Jimmy Powell, Earle Warren, Freddie Green, Jo Jones, to name but a few). The Lester Young Quintet (and this is rare); Lester Young tenor sax, Count Basie piano, Freddie Green guitar, Rodney Richardson bass, Shadow Wilson drums (May 1, 1944). These six tracks are worth the price of the entire 2 CD set. Fantastic. Lester Young and Count Basie in a small group setting. Wow! And this is all Disc One! Disc Two starts out with Lester Young Sextet, Lester Young tenor sax, Jessie Drakes trumpet, Jerry Elliot Trombone, Junior Mance, piano, Leroy Jackson, bass, Roy Haynes drums. (June 28, 1949). (10 tracks). Lester Young Quintet. Lester Young Quintet, Lester Young tenor sax, Jessie Drakes trumpet, Kenny Drew piano, Kenny Shulman bass, Jo Jones drums. April 2, 1950, live in Chicago (10 tracks). This 2CD set has a lot of outtakes, but also has a lot of rare material from great bands, and covers a hard to find period of Young’s career, unless you have the original Savoy 78s or 10” vinyl. Stupendous. A+++.
LESTER SWINGS – LESTER YOUNG (VERVE 314 547 772-2) (1999). According to the CD, “This CD contains some of the most memorable masterpieces from Young’s enigmatic and memorable Verve studio recordings. These recordings can be found in their entirety on the 8-CD set THE COMPLETE LESTER YOUNG STUDIO SESSIONS ON VERVE.” www.vevemusicgroup.com. thirteen tracks, 64.22. This CD covers the highlights of Lester Young’s solo and small group career from 1946-1958, and is thus the cream of the crop. Absolutely vital. A+++
LESTER YOUNG TRIO WITH NAT KING COLE AND BUDDY RICH SUPERVISED BY NORMAN GRANZ (VERVE 314 521 650-2) 1994) (Mfd for BMG direct marketing under license. This is an interesting CD. There are a total of fourteen tracks totaling 60:41. Tracks 1-10 are recording with Lester Young on tenor sax, Nat King Cole on piano and Buddy Rich on drums, playing as a trio, recording April 19, 1946 in Los Angeles, CA. This was originally issued on vinyl as 10” Norgran LP MGN and before that as Lester Young Trio Vols I & II on Mercury/Clef MGC 104 & 135, 1074 with just 8 tracks; two outtakes are included here. Tracks 11-14 are recorded with Lester Young, Harry Sweets Edison on trumpet, Dexter Gordon on tenor sax, Nat King Cole on piano, Red Callendaer & Johnny Miller on drums, and Cliffor Juicy Owens on drums, recording summer 1943 or 1944 Los Angeles, CA, and originally released on vinyl 78 Clef/Mercury 15003/8900. Some of the tracks on this CD are 78 to CD transfers. This is a very fine CD preserving some very famous session tracks with Lester Young and Nat King Cole now considered classic. A+.
LESTER LEAPS IN: HIS GREATEST RECORDINGS 1936-1944; LESTER YOUNG. (ASV Ltd. Living Era CD AJA 5176 MCPS MONO) (Made and printed in England) (ASV Ltd., 1 Beaumont Avenue, London, UK, W14 9LP). (1995). “lester young with count basie, billie holiday, teddy Wilson, buck clayton, bill coleman, dicky wells…and other jazz greats!” what else do you want to know? 24 tracks, 75:40 total playing time. This is pretty much prime Lester Young material. A+++.
LESTER YOUNG LIVE IN DC VOLUMES I AND II 1956 I don’t have the CD info on these, but they’re classics and easily found on the internet.
youtube links:
lester young with billie holiday
this is billie holiday doing fine and mellow from the cbs special in 1956 with lester young and an all star band. with coleman hawkins and gerry mulligan. wow! A++++
a famous clip of lester young and allstar big band doing the “jitterbug jam” check out those dancers swinging to lester’s solo! with Harry Sweets Edison and many others. A+++
count basie band with lester young at randall’s island ny
lester young in a nice video
lester young and great band – pennies from heaven
same band – blues for greasy
http://www.kerouacalley.com/young.html
multimedia directory of lester young videos etc.
http://en.wikipedia.org/wiki/Lester_Young
wikipedia article on lester young
theres more youtube video out there of lester young–these are just some highlights.
here’s another discography and list of books on Lester Young from a fan website:
http://www.nme.com/artists/lester-young
Discography
albums.
* Lester Young Quartet And Count Basie Seven – 1950 (Mercury)
* Lester Young – ()
* The Immortal Lester Young – 1951 (Savoy)
* The Lester Young Trio – 1951 (Mercury)
* Count Basie And Lester Young – 1951 (Jazz Panorama)
* Collates – ()
* Pres – 1951 (Mercury/Norgran)
* Kansas City Style – 1952 (Commodore)
* Battle Of The Saxes – 1953 (Aladdin)
* King Cole-Lester Young-Red Callender Trio – ()
* Lester Young-Nat King Cole Trio – 1953 (Aladdin/Score)
* Lester Young – His Tenor Sax – 1953 (Aladdin)
* The Lester Young Trio – 1953 (Clef)
* The President Plays – 1953 (Verve)
* With The Oscar Peterson Trio – 1954 (Norgran)
* Pres Meets Vice-Pres – 1954 (EmArcy)
* The President – ()
* Lester Swings Again – 1954 (Norgran)
* Pres And Sweets – 1955 (Norgran)
* The Pres-ident Plays With The Oscar Peterson Trio – 1955 (Norgran)
* Lester Young – ()
* It Don’t Mean A Thing (If It Ain’t Got That Swing) – 1955 (Norgran/Verve)
* The Jazz Giants “56 – 1956 (Verve)
* Tops On Tenor – 1956 (Jazztone)
* Lester Young And His Tenor Sax, Vol. 1 – 1956 (Aladdin)
* Lester Young And His Tenor Sax, Vol. 2 – 1956 (Aladdin)
* The Masters Touch – 1956 (Savoy)
* Lester’s Here – 1956 (Norgran)
* Pres And Teddy – 1956 (American Recording Society/Verve)
* Lester Young-Nat “King’ Cole-Buddy Rich Trio – 1956 (Norgran)
* Swingin’ Lester Young – 1957 (Intro)
* The Greatest – 1957 (Intro)
* Going For Myself – 1959 (Verve)
* Laughin’ To Keep From Cryin” – 1959 (Verve)
* The Lester Young Story – 1959 (Verve)
* Memorial Album – 1959 (Epic)
* In Paris – 1960 (Verve)
* The Essential Lester Young – 1961 (Verve)
* Lester Warms Up – Jazz Immortals Series, Vol. 2 – 1961 (Savoy)
* Pres – 1961 (Charlie Parker)
* Pres Is Blue – 1961 (Charlie Parker)
* A Date With Greatness – 1962 (Imperial)
* The Immortal Lester Young, Vols. 1 – ()
* 2 – 1962 (Imperial)
* The Influence Of Five – 1965 (Mainstream)
* Town Hall Concert – 1965 (Mainstream)
* Chairman Of The Board – 1965 (Mainstream)
* 52nd Street – 1965 (Mainstream)
* Prez – 1965 (Mainstream)
* Pres And His Cabinet – 1966 (Verve)
* In Washington, D.C., Vols. 1-5 – 1980 (Pablo)
Books
bibliography.
* Lester Young – Lewis Porter
* The Tenor Saxophone And Clarinet Of Lester Young, 1936-1949 – Jan Evensmo
* Lester Young – Dave Gelly
* You Got To Be Original Man! The Music Of Lester Young – Frank BÃchmann-Møller
* You Just Fight For Your Life: The Story Of Lester Young – Frank BÃchmann-Møller
* A Lester Young Reader – Lewis Porter
* No Eyes: Lester Young – David Meltzer
* Lester Leaps In: The Life And Times Of Lester “Pres” Young – Douglas Henry Daniels
–art kyriazis, philly south jersey
home of the world champion phillies
THE WORLD’S SHORTEST BOOKS by Mark J. Leonardo, Esquire, Attorney at Law, Malibu, California
May 13, 2009
The World’s Shortest Books:
THINGS I LOVE ABOUT MY COUNTRY
by Oscar Winer Jane Fonda & Cindy Sheehan .
Illustrated by Michael Moore
________________________________________
MY CHRISTIAN ACCOMPLISHMENTS &
HOW I HELPED AFTER KATRINA
by the Revs Jesse Jackson & Al Sharpton
_______________________________________
THINGS I LOVE ABOUT BILL
by Secretary of State Hillary Clinton
________________________________
Sequel:
THINGS I LOVE ABOUT HILLARY
By former President Bill Clinton
___________________________________
MY LITTLE BOOK OF PERSONAL HYGIENE
by Osama Bin Laden
___________________________________
THINGS I CANNOT AFFORD
by Microsoft Chair Emeritus Bill Gates
____________________________________
THINGS I WOULD NOT DO FOR MONEY
by NBA Rebound Champion Dennis Rodman
_________________________________
THINGS I KNOW TO BE TRUE
by Nobel Prize Winner Al Gore & Sen. John Kerry
_______________________________________
AMELIA EARHART’S GUIDE TO THE PACIFIC
___________________________________
A COLLECTION of
MOTIVATIONAL SPEECHES: REASONS TO LOVE LIFE.
by Suicide Doctor Jack Kevorkian
__________________________________
TO ALL THE MEN I HAVE LOVED BEFORE
by Ellen de Generes & Rosie O’Donnell
____________________________________
GUIDE TO DATING ETIQUETTE
by former heavyweight champ Mike Tyson
__________________________________
THE AMISH PHONE DIRECTORY
_______________________________________
MY PLAN TO FIND THE REAL KILLERS
by Former Heisman Winner O.J. Simpson
_________________________________________
HOW TO DRINK & DRIVE OVER BRIDGES
by Senator Ted Kennedy
___________________________________
MY BOOK OF MORALS
by former President Bill Clinton
with introduction by The Rev. Jesse Jackson
*******************************************************
AND, JUST ADDED:
Complete Knowledge of Military Strategy!
By House Majority Leader Nancy Pelosi
Mark J. Leonardo, Esq.
THE LAW OFFICES OF MARK J. LEONARDO, ESQ.
784 Latigo Canyon Road
Malibu, California 90265
(310) 456-7373
(310) 317-7261 (fax)
MARK LEONARDO IS NOT JUST ONE OF THE BEST ATTORNEYS IN SOUTHERN CALIFORNIA–HE’S ALSO A GREAT PIANO PLAYER, A WONDERFUL FATHER, AND HE’S PERSONAL FRIENDS WITH FELLOW DETROIT NATIVE KID ROCK!!!! (WELL, HE USED TO BE UNTIL THE KID SPLIT UP WITH PAM ANDERSON). MARK IS ONE RIGHT ON DUDE!!! CALL HIM FOR ALL YOUR LEGAL PROBLEMS IN CALI!!!! AND, SINCE HIS OFFICE IS IN MALIBU, YOU CAN GO SURFING AT MALIBU POINT AFTER YOUR BUSINESS MEETING OR JUST HIT THE BEACH AT ZUMA…..
–art kyriazis philly/south jersey
home of the non-steroid using world champion philadelphia phillies
Indifference to death is the supreme claim of a successful moral theory. Mortality, the biblical threescore and ten years we are given on this earth, is and was the human condition for the ancients and the moderns. Transcendence of mortality therefore becomes a categorical imperative for any moral theory to attain success.
At a recent alumni dinner where there were a number of attorneys, i asked some of my colleagues around the table if they had given any thought to the afterlife. Most of the people at the table looked at me as if I had landed from another planet. I pressed the point, and asked, you get ready for trials, but what about the ultimate trial, the final trial, the final judgment in the life to come? Don’t you want to be ready for that? Again, blank faces and almost no thought given to the concept in the slightest. I found this interesting, and wanted to give it some thought. This essay was the result.
Maybe this is what is wrong with the legal profession today. Lots of ethics courses, but no courses as to the essence of ethical thought–the soul and its salvation. And yet Plato and Aristotle, especially Plato, write about the soul, about lawyers and the salvation of the soul in the life to come, and about ethics, almost to the exclusion of all else. And of course, Christianity absorbs Plato through neo-Platonism, and a lot of Aristotle too. So have we forgotten everything we learned back at the dawn of Western thought? Have we forgotten that you can’t take it with you, to paraphrase a famous play we used to read in prep school? That a rich man will find it harder to get into heaven than a camel to pass through the eye of a needle? That Lazarus will be by God’s side while the rich man will be burning from thirst in hell? Have we forgotten all of this in our search for worldly rewards?
I assume we all agree here that Bernie Madoff is definitely going to hell, but we’re not sure what level of Dante’s Inferno he’s being assigned at present.
So here are a few comments on four ethical systems that have given plenty of thought on this matter, and incidentally, most every lawyer in the greco-roman world was at the very least, a stoic or a christian.
Characteristically convergent in the three moral systems of Stoicism, Spartanism and Samurai/Bushido is the conquest of death through roughly parallel means. Christianity in its neo-platonic formulation through the Hellenistic church fathers, starting with Clement of Alexandria and running through the Greek Church Fathers, St. Basil of Caesarea, St. Gregory of Nazianzen, St. Gregory of Nyssa and St. John Chrystostomos, and finding its eventual final expression in St. Augustine, a much later Latin church father, also conquers death as well.
As St. John Chrystostomos so memorably puts it, “Death, Where is Thy Sting?” However, Christian eschatology and cosmology sharply distinguish it from the Stoic, Spartan and Samurai traditions. There will be a second coming, and a second judgment, a final judgment, but so long as the Christian adheres to the seven sacraments and worships through the Church, his salvation is ordained, and he or she will be saved in the life to come. Here, we are speaking of the early Eastern Christian church, 100 AD – 1000 AD, as opposed to the later Western church, 1000 AD – present, which was split by the east-west schism, the Albigensian Crusade, the 4th Crusade, the Crusades in general, the Protestant movements, and so on. The early Church, by contrast, was relatively unified (setting aside the Arian, Manichean and Nestorian and other heresies, which are not material here) and was constituted by its seven ecumenical councils as a unified and generic whole. Even as to the schismatic churches of the Near East, the churches of Nestorianism and so forth, which had millions of adherents up through around 1400 AD in Syria, Iran, China and many other areas where the majority religion was either Muslim or other, the message was the same, that death could be overcome by salvation through the Church.
By Stoicism we refer to the ancient Greek philosophy which emerged in Athens at the stoa, which is best known by the work of greek philosophers such as Epictetus, and follow it to its most perfect expression in the Roman philosophies of such writers as Cicero and Marcus Aurelius. The Roman/Latin followers of stoicism, of whom there were many, were comfortable with stoicism, since it was perfectly suited to a milititaristic society ruled by capricious and arbitrary imperial factions which could change suddenly and without warning, often with drastic policy implications. Because conditions were constantly volatile at the micro level, even though there was an overall “pax Romana,” stoicism was an ideal philophy.
We note in this introduction the essentially dual character of stoicism, as both a military and an ethical philosophy, one ideally suited to the greek or roman warrior or pacific citizen alike. The warrior at peace in stoic tranquility could perform his military assignments with a minimum of moral concern either for his enemy’s or his own death; likewise the citizen going about his tasks was also able to work hard, indifferent to illness, suffering or the exigencies of mortality, and to the machinations of politics and the state.
Turning to the Spartan way of life, which was essentially a philosophy and ethical system, again we see a military and ethical system in place. First, we define the Spartan system as that system in place in Ancient Sparta from roughly 700 BC to approximately 350 BC, when the Spartan State began to lose its military supremacy to Thebes, and lost its martial character and started to blend shortly thereafter into the larger Hellenistic World created by Alexander the Great and his Successors.
During their time of glory, the Spartan method of training and educating their men and women was legendary throughout the ancient world, and it has come down to us even in the present day. The very word “spartan” connotes sparse, spare, lean and other similar adjectival synonyms. That a spartan soldier would fight to the death was a given; that he was happier to die gloriously in battle than to die and old man in his village was well-known. Thus even Pericles was known to quote the Spartans in saying that a good death in battle could wipe out a lifetime of evil deeds. But the Spartans virtue was a sort of corporate virtue, not the individual Achaean virtue or heroism of Achilles or Ajax; Spartans fought as a team. Their methods were legendary; their morality their code.
Finally we have the samurai, who lived by the code of bushido. In this moral code, elaborated on many occasions by learned samurai, the samurai warrior, who was always a learned man fluent in poetry, calligraphy and the arts, as well as the martial arts and the sword, was to consider himself at all times as if he was already dead. This core, bedrock principle of bushido, along with the zen Buddhist principles of “no mind” or “empty mind”, encapsulate bushido’s essential qualities—the clear-minded warrior, ready to strike, unafraid of death because in his mind, he has already died, and thus is already prepared for death. Such an adversary must have been dangerous indeed.
That there are parallels between these three systems with regards to their attitudes towards death and mortality is self-evident from our brief discussion. A longer exegesis would examine all of these systems in greater detail, but this brief review suffices to carry across the general motive and ethical points.
Art Kyriazis philly/south jersey
home of the world champion phillies
Books Read and Planning to be Read – Summer 2004
March 3, 2009
This is from a list I sent in to the local paper back in 2004 that I found on my computer. It’s interesting.
Books Read (all Non-Fiction) (NF)
Bernstein, Leonard. Findings. 1982. Simon & Schuster, New York, NY. The Maestro writes.
Boylan, Jennifer Finney. She=s Not There: A Life in Two Genders. With an Afterword by Richard Russo. 2003. Broadway Books, New York, NY. A virtual must-read if you haven=t read it yet.
Bryant, Howard. Shutout: A Story of Race and Baseball in Boston. Introduction by Roger Kahn. 2002. Beacon Press, Boston, MA. The dark underbelly of the Red Sox is racism; a must-read.
Mazower, Mark. Inside Hitler=s Greece: The Experience of Occupation 1941-44. 1993. Yale University Press, New Haven, CT. (Especially Chapters 19 & 20, AThe SS & the Terror System@ & AGreek Jewry & the Final Solution@, valuable for their accounts of the fate of the 250,000 plus Sephardic Jewish Greeks of Thessaloniki, a six hundred year old community virtually wiped out by the Nazis, and the heroism of the Greeks, unparalleled elsewhere in Europe, to save them from the Germans; this material is difficult to find in other sources.).
Peyser, Joan. Bernstein, a Biography. 1987. Beechtree Books, New York, NY. Great read.
Books Planning to Read This Summer (all Non-Fiction) (NF)
Hadju, David. Positively 4th Street: The Lives and Times of Joan Baez, Bob Dylan, Mimi Baez Farina & Richard Farina. 2001. North Point Press, a Division of Farrar Straus & Giroux, New York, NY. Lots of Dylan books, but only this one also attempts a bio on Dick & Mimi Farina.
James, Bill & Baseball Info Solutions. The Bill James Handbook 2004; The Complete up-to-date statistics on every major league player through last season. 2003, ACTA Publications, Chicago, IL. The Ultimate Baseball stat book by the best baseball stat company in the game. Excel-lent!
Lewis, Michael. Moneyball. 2003. W.W. Norton & Co., New York, NY. The author of Liar=s Poker does baseball. How the As win spending 20% as much as the Yankees; there is a secret.
Ryding, Erik S. & Rebecca Pechefsky. Bruno Walter: A World Elsewhere. 2001. Yale University Press, New Haven, CT. Mahler=s apprentice conductor, Walter is the link between Mahler, Mitropoulos, Bernstein and the modern generation of conductors. He is essential to understand.
Schmidt, Eric von & Jim Rooney. Baby Let Me Follow You Down: The Illustrated Story of the Cambridge Folk Years; Second Edition with a New Preface. 1993. (1st ed. 1978). University of Massachusetts Press, Amherst, MA. Burn “A Mighty Wind”; this is the real thing.
–art kyriazis philly/south jersey
home of the world champion phillies
The Cult Of Relics Denise Levertov
March 3, 2009
My father’s serviette ring,
silver incised with a design
of Scotch thistles, the central medallion
uninitialed, a blank oval.
The two massive
German kitchen knives, pre-1914, not-stainless steel,
which my mother carefully scoured with Vim
after each use.
My daily use
of these and other such things
links me to hands long gone.
Medieval con-men disgust and amuse us;
we think we’d never have fallen
for such crude deceptions-unholy
animal bones, nails from any old barn,
splinters enough from the Cross to fill
a whole lumber-yard.
But can we
with decency mock the gullible
for desiring these things?
Who doesn’t want
to hold what hands belov’d or venerated
were accustomed to hold?-You? I?
Who wouldn’t want
to put their lips to the true chalice?







